Myanmar

The high denominations are anchored by the Mandalay Palace, shown through its long red defensive walls, corner towers, and surrounding moat, all laid out in strict horizontal perspective. The 5000 kyat introduces the White Elephant (Hsinbyudaw), depicted in ceremonial stance with ornate regalia, emphasizing its role as a sacred royal symbol rather than a naturalistic animal study.

Lower denominations shift to ethnographic detail. The Karaweik Royal Barge appears as a gilded vessel shaped like a mythical bird, its curved prow and layered ornament clearly defined. Daily craft is recorded through Pathein umbrella makers, shown assembling bamboo frames and painted canopies, while Chinlone players are captured mid-motion, their woven ball suspended between controlled gestures. The Saung-gauk harp is engraved with its curved body and string alignment, presented as a precise musical instrument rather than decorative motif.